People as apart of the production team need specific roles as other wise if all the roles were left to the Director then there would be too much of them to do and it would effect the way the film comes out. The roles that are assigned need to be specific for that person because its no use having the Director of Cinematography being someone who can't use a camera. It is best that there is on person for each specific role because then they can produce what they need to to there best ability for instance being just the Hair and make up designer and co ordinator then they will have there full focus on the design of that and it will look good within our opening sequence.
Director: Elizabeth Lawrie (Myself)
I volunteered myself for the role of Director as I enjoy the role of organising everyone and showing people how to do things. I think I was good at this role because when we were filming I had to quickly arrange all the actors into the scenes and made sure that they were in the right place for the frames so that we could get on with them quickly instead of wasting time arguing and make sure chloe was positioned in the right place for filming.
Actors: Amy Durrance , Molly Johnson and James Myers
As a group we decided it would be convenient to ask Amy Durrance to play the role of Gemma (the first victim) as Gemma is depicted as being blonde and coincidently Amy is a blonde, she was happy to take part in our thriller opening sequence, was free on days of filming and attended an expressive arts school so was experienced in acting.
Molly Johnson has been chosen to play the role of Holly (Gemmas friend) as she is a natural brunette who was like amy interested in taking part of our thriller opening sequence, was free on days of filming and also attended an expressive arts school so had experience in acting.
James Myers was cast by the antagonist by our group as he is tall and....
Director of Photography: Chloe Eustace
Chloe volunteered herself for the role of Director of Photography because she had some experience in using cameras and getting a good shots, as do I. However, we decided it would be for the best if Chloe was in charge of the cinematography we didn't want to take on too many large roles per person and I already had volunteered for the role of director therefore its seemed suitable that Chloe take on this role as she has experience with using camera and had not already been given a major role. We decided as a group that it would be best for someone who knows how to use the camera to be in charge of filming as then it will be easier whilst filming because Chloe would know what and when she needs to be doing. Chloe was very good at organising the shots during filming and managed to get all the shots that we needed for the opening sequence acquired a variety of different angles for editing.
Mise-en-scene Co ordinator: Elizabeth Lawrie
We decided as a group that it would be best for myself to be in charge of mise- en-scene as I had already found the location for us to film and I was interested in organising everyone and making sure that costumes and hair are in order. As a group we decided that it would be best for me to be in charge of this as neither Chloe nor Miranda had any interest in arranging people and getting things for each shot organised.
Producer: Miranda Simpson
Music Producer: Chloe Eustace
Screen Play Writer: Miranda Simpson
Conclusion
In conclusion we decided on these roles in peoples best interest and roles that would be good for the film, we didn't want to ruin filming so we needed to make sure that each person who had a role could follow through with it other wise it might effect the outcome of our final opening sequence. During filming we took to these roles well and it made it easy then to get the shots that we need because everyone stuck to what they can do well and this caused less arguments or tension whilst filming and editing to produce our final product. We could have changed some roles around because although some people had experience with different roles we found that other people could do that role better anyway. This would have been something that we could have practised a few more times while filming practise so that we could see how people reacted within there roles before we filmed completely.
Our narrative is about two girls on the way to a party, who had were being followed by someone, and they didn't notice, so when they break down on the way to the party the stalker is behind them, (the stalker of which is the main antagonist and has a hidden identity from the audience and the girls, no body knows who this antagonist is as the scenes with him in we will use the camera shot Point of View.) which creates tension for the audience and dramatic irony because the audience know that they are being followed but the characters (girls themselves: Holly is the driver and the story bases around her. Gemma dies in the forest when she walks away from Holly at the car and she gets murdered by the hidden antagonist) are unaware of this. One of the girls gets out of the car and wanders off away from the forest to get signal, and the other girl stays behind and freaks out when she hears her friend get murdered in the forest, the camera will jump back to her and her reaction to this moment. It would be set in an abandoned road by the entrance of the forest where there is no one around and in the middle of the forest.
Narrative
The opening sequence will commence with a panning shot following the car which Gemma is driving down an empty road close to an entrance of a forest. Holly is also in the car, the girls are both on their way to a friends party. The girls will be seen a in an upbeat mood and looking forward to the part as they both sing along to upbeat pop music coming from the car radio. As this shot comes to an end we begin to hear some strange clunking noises of the car engine and soon after we see it come to a halt as its clear the car has broken down. The camera then jumps to a P.O.V. shot from the perspective of the antagonist. The antagonist, although not seen, is clearly depicted as a dark character lurking behind the trees, keeping a distance and stalking his/her prey, Gemma and Holly. The antagonist watches the girls as they get out of the car while Gemma has a look to she can find whats wrong with the car. The camera will then zoom out of the P.O.V focusing on the two girls as they talk about how they plan to get home/help as they have no phone reception before Gemma decides to have a look around the area and see if she can find a public telephone box or anyone to help her. Following this will be a mid-shot of Holly who has been left alone in the car while Gemma goes to seek help. Holly gets impatient and calls out the car door for Gemma to come back before there is a long silence. Meanwhile Gemma has spotted a house or building of some sort, we see her walk towards the house from the antagonist's perspective and hear the crunching of leaves on the forest ground as the antagonist closely follows. There will then be a close up of Gemma from behind as she knocks on the door, however there is no response only a long silence. This is followed by another P.O.V shot from the antagonists perspective, he/she continues to stalk Gemma, quietly and patiently watching her as she walks away from the dark and empty house. Other than the sound of the crouching of leaves and the heavy breathing from the antagonist this frame is very quiet. Continuing to a P.O.V. shot the camera then focuses on the cold forest ground, in this frame the audience will be able to see their first glimpse of the antagonist, as we see his feet, his pace quickening and the crunching of leaves and hear his heavy breathing worsen as he gets closer and closer. The camera will then shallow focus on Holly as she gets out of the car to see if she can get a better look as to the whereabouts of Gemma. Following this will be yet another P.O.V. shot from the antagonists perspective as he chases Gemma through the dark, damp forest. The film will then jump cut back to Holly sitting silently in the dark car, before she hears a loud scream. Again the camera will quickly jump cut to Gemma. The camera will focus on Gemma as it blurs the background. The surroundings will be silent to exaggerate the sound of Gemma struggling to breathe. We will then jump cut to the antagonist, viewers will be given their first glimpse of the killer as he or she calmly walks away from the scene of the crime before the shot fades to black.
It is important to consider risks before filming as doing so will enable us to take precautions to avoid these hazards. It will assist us during filming enabling us to be able to to prevent hazards before they become a real danger whilst trying to film. This will make it safer and easier for our group while filming. A risk assessment also ensures and aids us in keeping cast and crew safe while filming.
We decided on some examples of risks that may become a problem while filming such as the fact that we are filming at night in the dark in the forest so we quickly realised that it will be dark so we are going to need extra sources of light in order to make the thriller work as we know that we need to film in the dark to make it conventional. So from this we spoke about it and realised that we need to bring extra torches and lights. We also considered the weather as it may likely rain, and so it could be a problem but we decided to obviously make sure that we have umbrellas and stuff with us and if it gets to rainy then we may have to come back the following day. We are using a knife when we are filming so we decided that we need to take extra care and make sure that nothing happens.
Conclusion
In conclusion this risk assessment was very important so that we could discuss what would be useful to prepare for and any event that may happen that could be dangerous or interrupt filming.
It is important to have a filming schedule so that everybody involved in the filming of the thriller opening sequence knows when and where they are needed. Also it informs the cast and crew on the order in which the scenes which they will be involved in will take place.
Filming Schedule:
While filming, the group and I, used out filming schedule as a plan of our time. We ran into complications while filming as actors were unable to attend on the day of filming and the car we planned to use we were unable to as it inconveniently broke down therefore we had to improvise the beginning of our thriller opening sequence which we as a group didn't find too challenging. However we did find that the schedule was still very helpful in the aid of positioning the cast and crew and informing them on where they were needed to be, in what order scenes would be filmed, the content of each shot, the shot type, the hair and make up required per shot and the props and equipment used for the frames following those meant to contain the car. In conclusion, creating a filming schedule was a productive use of our time as is enabled the filming of our thriller opening sequence to be straightforward and time effective which i believe is essential, taking into consideration the complications we ran into while filming.
The purpose of having a group storyboard is to collectively incorporate ideas from each individual within our group so that we can ensure that our thriller includes everyone in the group's ideas making our narrative the best that it can be. As a group we have combined
our individual ideas by taking the best frame ideas from each storyboard and putting them
all together in a final group storyboard to make certain that we have a clear idea in regards to how and when filming should take place. We decided on our group storyboard by looking at each other’s
storyboards and picking out the best elements, of which we would include in our
final group storyboard. We chose the ideas in each other’s storyboards that
stood out and the ones we all liked.
Conclusion
I think our overall group storyboard includes a clear narrative
which has elements of my group and I's ideas. The fact that our storyboard
includes everyone's ideas will make everyone want to put 100% effort in as
everyone has been included therefore making everyone want to contribute, this
will make my group communicate well and end up with a good, clear narrative for
our thriller.
Cinematography is the different camera shots and camera angles that are used in a thriller film in order to create tension, suspense and excitement to an audience. Camera shots and angles are used because otherwise if the camera was always straight ahead then there would be certain parts of scenes in the film that is not seen or just looked at and there would be no great effect like when the camera focus' and zooms in it creates effects and helps the audience to understand that this is the main character and helps the audience to see what s happening. If there was no camera shots or angles then the scenes would probably loose there effect and it may not draw the audience in.
Chosen Film Scene: Saw 2 - Needle Scene
Technique 1 - Two Shot
Two shots are when there is two people that are established in the shot and featured in the frame. In this scene there is the two characters of whom one is looking at the other and the other is looking down at the floor. A two shot can establish the power that the characters may have such as the front man may have more power over the character behind and can help establish how the protagonist of the film may be. A two shot allows the audience to see two characters and the chemistry between them and get to know the characters a better as there is only two characters and they can see the facial expressions of the characters more clearly and really get to know about them characters and how its relevant to the scene. In this scene these two characters don't really have any chemistry at all as they are both concerned about whats going to happen to the woman in the needle pit. The boy behind actually looks disgusted and the other man is looking down because he doesn't want to see whats happening in the room so he is looking away. The two shot may help the audience feel for the characters in this seen as they are both probably feeling ashamed and sick at what is happening in the scene. This makes the scene conventional to a thriller because they are in an abandoned room with dark yellow grotty wall that don't give the audience a good feel about the situation they are in and they are the victims of whom are being watched by the 'villan' this creates a 'good guy' - 'bad guy' situation.
Technique 2 - Panning
Panning is a shot that has the camera to moving back and forth from side to side in sync following the character or characters in what they are doing. In this scene the character is pacing back and forth because in the room they have just found out that they are going to have to hunt for a key within a pit of needles. The character is pacing back and forth around the room because he is scared and panicked. Panning can really give the audience a sense of panic for the character because they are clearly scared that they can't stay still. The audience feel that there is a sense of stress or tension because the camera is following the character so the audience is following the character. This means that panning helps relate to the conventions of a thriller because there is the sense of panic which can create tension for the audience as they don't know whats going to happen next.
Technique 3 - Zooming In
Zooming is when the camera moves in on a specific object, in this scene it was the needles in the needle pit that was zoomed in on quickly because they came out of nowhere for the characters and was an unexpected show for the audience. Zooming in creates importance on the needles because they were unexpected and it then has the audiences focus that this is going to be the main part of this scene and makes the audience wonder what is going to happen next. Zooming in tends to lead to an extreme close up of the image to highlight its importance even more so in the scene, which gives the audience in some cases dramatic irony as sometimes the audience will see an important object before the characters. In this case the audience saw the needles in the pit as the characters were removing the lid. In this scene the needles are zoomed in on and then a close up of the needles in the pit. The audience then can feel sorry for the characters because they automatically get the sense that these are a weapon and show them that something bad may happen in relation to whats happening in this scene. This is conventional to a thriller film because the needles are essentially weapons and this then makes the audience feel tense as they now know that something bad is going to happen.
Technique 4 - Shallow Focus
The technique of shallow focus is used to show the main subject in full focus this of which can be an object that is important or a main character that is going to speak and needs to be focused on. In this case the man at the front of the shot and the rest of the shot is blurry including the woman that is just behind him (the background). This is done so that it highlights the man, and so that he is in full focus in order for the audience to know that he has been highlighted and that he is important and what he is doing in the scene. The shallow focus also helps the audience to get to know the character on a bit more of a personal view by seeing his facial expressions and body language much more clearly. The background is blurry and makes the audience attention be brought forward to the man. This makes the audience feel the way that the character is feeling and they know that from his body language that if he is tense about whats going to happen next they should feel sorry or be concerned of whats going to happen next as well. This is conventional to a thriller as there is the tension and suspicion of what is going to happen next and grips the audience with the setting and the characters.
Technique 5 - Mid Shot
Mid shots are where the camera frames the character from the waist upwards. Meaning that the audience gets a good look at the body, costume and the way that they are positioned. This can help the audience to understand the character and what may possibly be wrong in the scene. This can really show the audience the facial expressions of the character and can help them to relate to the emotion in the scene at that given moment. In this scene the man is shot from the waist up showing his surprise at what he is seeing in this instance it is the exact moment where the lid is removed from over the pit and the needles can be seen. Whilst this moment was shocking for the audience because they didn't expect it, it was also shocking for its character which can be seen by the camera shot. By the audience seeing that that character is surprised it can make them feel the same feeling and help the audience to connect to the character. This relates and has conventions of a thriller because there is shock and suspense.
Conclusion
In conclusion there are a number of different camera positions and techniques that can be used but the main one however is the use of Handheld which I a most likely to use within my thriller because it creates the sense of drama and urgency because the camera is literally following along with the characters and when they move. There are a number of camera angles and shots that I would use within my thriller sequence in order to create suspense,and shock which is conventional to a thriller. Some that I would consider using include panning as this is the camera following the characters and usually the protagonist, which creates effect for the audience that what they are doing is important. As well as zooming in because this creates the Suspence of this character is important you need to look at there facial expressions and what is going on and the fact that they are important.
A typical thriller has scenes that are a build up of shock, surprise and tension and excitement as its main elements. A thriller provides the sudden rush of emotions, excitement, and exhilaration that drive the narrative sometimes subtly with peaks and lulls, sometimes at a constant, breakneck pace. It keeps the audience on the "edge of their seats". Mis- en - Scene is important within a thriller film because they are the 5 main things in thrillers that are needed to make a good film, that creates shock, surprise and suspense for the audience.
Mis-en-scene consists of 5 main elements:
1. 1. Setting and Iconography - Plays an important part in the film playing not just the background
2. 2. Costume, Hair and Make up - Act as an instant indicator to us of a characters personally it tells us whether the film is in the present.
3. 3. Facial Expressions and Body Language - Provide an indicator of how someone is feeling, body language shows the relationship between one or more people.
4. 4. Lighting and Colour - There are two types of lighting 1) Low key lighting - Created by using dark shadows, produces sharp contrasts of light and dark areas. 2) High Key lighting - More filler lights are used. Lighting is natural and realistic to our eyes. Produces brightly it lit sets.
5. 5. Positioning of characters/objects within a frame - Characters within a frame can relate to how important the character is to the scene.
Chosen Film Scene: 'American Psycho' - Chainsaw Scene
Setting and Iconography
The Chainsaw seen when Patrick runs out of the bedroom is Iconography (a prop) in the scene and this creates excitement and tension for the audience as this draws them in and makes them interested, this is as he chases her with the chainsaw. down the hallway and through the building. The prop, a chainsaw, is a typical convention of a thriller and this does in turn make the audience feel suspicious of the man with the chainsaw and his motives. The chainsaw is conventional of a thriller because it is a weapon and weapons are typically seen in thriller films as the item that is used to murder the victim(s). If there was no props within a thriller film then there would be no destruction or tense moments for the audience to be 'on the edge of their seats' meaning that they would probably not want to watch the film. The use of Patrick and the chainsaw is dramatic irony because the audience assumes that from the setting he has a weapon. The setting is in an apartment of his but as she runs she finds another room which has writing on the wall and the lights flicker, this room builds up suspense for the audience because they then want to know what is going to happen to her. The abandoned room in the apartment is a typical convention to a thriller also because the room is dark and abandoned. This is useful and good within a thriller because this draws the audiences attention to the plot and makes them want to find out why the room is abandoned and what the murderer is going to do next.
Costume, Hair and Make Up
The fact that she has little clothing on lets the audience know that she is vulnerable and that she is now probably going to be the one to die. The audience may also feel that she is vulnerable because she has just been manipulated into having sex with this man and then he try to kill her. They audience may feel sorry for her character at this point because she is vulnerable she seems like she is an easy target for him to kill. Patrick doesn't have any clothes on at all which you would think would make him the most vulnerable but actually he is the one with the power mainly because he is the one with the weapon. The hair in the scene looks scruffy and muffled up which could indicate that the characters are in a rush or really not organised and prepared for this. Especially the woman because she did not expect to be running up the corridors and Patrick wasn't prepared to run after her, he may have assumed that he would kill her in the bed too. This leads to the sense of urgency for the audience and they feel like there is a real rush to keep up with the scene as well as the urgency indicating to the audience excitement and thrill. This lack of clothing leads to a convention of a thriller because the woman is the victim that is being chased and the lack of clothing shows that she is vulnerable to the audience. Also this is conventional to a thriller because there is always someone in a thriller film that has been manipulated into doing something and then there being consequences for the character.
Facial Expressions and Body Language
The facial expressions in scenes show how the characters are feeling this in turn helps the audience decide how they should feel about the particular scene and whats happening. In this case the woman has an expression of panic and her body language is telling that she is afraid and wants to run away. Patrick in the scene excited and happy even though he is killing someone the fact that he is chasing her gives him some kind of rush. The audience may feel for the woman because she is the victim and she looks really innocent, so they can feel sorry for her and not actually want her to die. The idea that the female is running away from Patrick shows a typical convention of a thriller because she is the vulnerable woman and there is normally the woman as the victim. Another convention of a thriller with the body language shows that there is always someone who is scared or in panic in a thriller film either because they are being chased or because they are they are plotting ways to murder someone.
Lighting and Colour
The lighting in this scene is dark at the beginning of the scene which is Low key lighting because there is only the natural lighting from the window into the room. This makes the audience feel tense, when the main character kills one of the girls in the bed the other girl moves and runs through the apartment building which is dark, this creates tension to the audience as she is running in the dark will she get away. As she runs down the stairs the lighting is flickering slightly building up the suspension for the audience as she is panicking. This is a typical convention of a thriller because there tends to be dark rooms or a murder tends to happen in the dark because then they can hide the evidence better. However this is conventional also because the lighting creates tension and panic for the audience as they realise that because it is dark something bad may happen. The audience will feel tense for the characters and the darkness can make the shock within a scene more real for the audience, this in turn keeps there attention in whats going on within the scene.
Positioning of Characters and Objects
The positioning of the characters in the part of the scene where Patrick is at the top of the stairs and she is running down the star is shows that the two characters are distant. This is mainly because Patrick is trying to kill her. In this case he is at the top of the stairs and she is at the bottom which is an indication that he is in charge as he is higher up the building and she is lower down. Patrick in this case has the power over the scene while the woman is vulnerable. When he drops the chainsaw down the stairs and she dies the characters are still distant because he does not go down the stairs he walks away. This has created tension for the audience because they don't know who or what he is going to kill next and makes the audience want to continue watching. This links to the typical conventions of a thriller because the protagonist is chasing the victim who is in fact a female which there tends to be in most thriller films leaving the audience feeling sorry for the character and leave them wanting them to not be hurt or murdered.
Conclusion
In Conclusion the research that I have conducted on Mis - en - Scene will help me when planning my own thriller because I will know to include the 5 most important things of a thriller film. Including Costume, Iconography, character positioning with each other and facial expressions and know how to include the most effective light. Mis - en - scene is important to a thriller because the 5 main elements are important other wise the thriller would not be or have any tension or suspense. Sound is important through mis - en - scene because otherwise the film would not make sense and you would not understand necessarily whats going on. As is Iconography and setting is important to a thriller because otherwise if there was no props then the weapons would not be able to be used and would make the film very boring as there would just be violence through physical. For example if there was no knives used in a film to kill someone then the tension goes and it would take a lot longer to kill someone. The setting is important otherwise there would be no interest for the audience because you wouldn't be interested really in a film where there is a murder in a sunny day park, there would be no tension or suspense created. As is facial expressions and body language which is very important because otherwise the audience wouldn't know how the characters are feeling and what they are going to do next within the film.
The sorts of Mis-en-scene that I can include in my thriller is dark and light settings and scenarios as well as add in effective props and costumes to fit the scene. Other things that can be included from mis - en - scene for my thriller sequence is iconography as this creates suspicion, surprise and tension for the audience, Also there is the light and darkness like adding in to the scene things like shadows because this also makes the audience tense and feel for the characters. As well as these things in thriller being Mis - en - scene they are also effective and typical conventions of a thriller like props and darkness.
Storyboards are an important factor in the production of any film.Using storyboards makes filming and capturing certain needed shots on set just that little bit easier. Storyboards generally include the camera angles that you plan used for each shot and how long those shots are going to last. The storyboards on the right that I have created included the camera angles of the scenes, the locations that we will use to film, the iconography we will include, the lighting, the actors, the sound, the editing and a brief description of the narrative. They are all essential aspects to include in a storyboard so that those involved with the filming of a film know exactly when and where they are needed.
Myself, Chloe and Miranda have all created individual storyboards which consist of 20 various frames which we wish to include when filming our thriller opening sequence. However, as a group we will collectively use our three storyboards to produce a final group storyboard which we will use when it come to filming our thriller opening sequence. We have created our own individual storyboards first because it has given us individually a chance to decide how we would like the film film to pan out.
Frame 1 The first scene that I drew onto my storyboard, is the scene where both girls are in the car, driving down an empty road by a forest headed to a party. In some ways this gives the audience the impression that the girls are safely on their way to the party. The location of this scene is an empty road near the forest, the shot should last roughly 5 seconds. The entire opening sequence that we will produce is supposed to roughly last 2-3 minutes. The first frame will include parallel sound of the car as it drives across the scree. This will reinforce that the focus of the shot is on the car. Frame 6 Frame 6 is when the audience get their first real feel the presence of antagonist within the sequence although the antagonist in our thriller opening sequence isn't actually seen, his identity concealed throughout but the audience is given an insight into the perspective of antagonist which will enable the audience to be able to build a relationship with the character. This would be considered conventional of the thriller genre because unknown identity themes are very common and can create mystery and enigma for the audience, making the audience question who the character is and what his intentions are. Also, the location of the frame is in the forest as are the majority of our frames. Therefore, lighting will be natural rather dim. The use of low key lighting and shadows add a sense of unknown to the sequence and add tension to the opening sequence. Frame 11
Frame 11 uses POV shot, from the antagonists perspective I decided on this because it creates a sense of excitement as it is the first glimpse of the antagonist the audience receive which in turn keeps the audience's eyes glued to the screen hoping that more will be revealed. Additionally i think it would be effective to add on screen sound of crunching leaves as the audience see the antagonists pace increase. This should produce tension as the audience wonder is Gemma is aware of his presence or is she is able to hear the loud rustling of leaves too. This is conventional of a thriller as it heightens the state of excitement and makes the audience feel apprehensive as it is presumed the antagonist's intentions may be somewhat sinister due to previous behaviour captured in the sequence such as him stalking the the two girls as if they were prey.
Frame 20
Frame 20 is the final frame that I have decided on. Frame 20 consists of the sequence finishing with a fade out to black which will hopefully produce enigma which is very conventional of the thriller genre our opening sequence belongs to. The camera shot that I decided to use was a zoom out as it depicts the entire scene showing the antagonist walking away from the scene of the crime and reveals Gemma's body lying still on the forest floor, presumably dead to the audience. The intention of including this within the final frame is to leave the audience in shock and suspense demanding to know what happens next.
Conclusion
In conclusion, creating these storyboards will help us thoroughly to go through our idea and make sure we are all clear of what is going to happen so we don't have any confusions. Creating the storyboards has also made my group and I more aware about what camera angles and editing styles we are going to use during and after filming, this will benefit us as we will be able to make sure our camera angles work with what type of atmosphere we are trying to create and allow us to plan what we are going to do with our work to make it the most effective we can.
As opening credits are one of the first things we see when watching a film, it is essential to use a font that is fitting of our production as it may be used to set the tone of the whole text, and also influence the audience's initial response to our production. Additionally, opening credits will be used in an opening sequence to a thriller film as a key purpose is to inform the audience who the main cast is and how important they are to the film in order of appearance. The purpose of credits within a thriller opening sequence can also be to introduce the mood of the film. The credits are also there to give you a sense of the film because the fonts and colours that are used for opening credits may tell you that you are watching a thriller film.
There are several thriller conventions that can be found in the opening sequence of the film Se7en. Firstly, there is low key lighting and shadows used within this opening sequence. As the scene starts there is low key lighting surrounding the book that he is looking through, this shows straight away the genre of this film to the audience of which is the thriller genre. There is also to do with the low key lighting a lot of dark shadows, the shadows are used in this opening sequence because it creates a scary and eery tone, to he rest of the sequence and helps to draw the audience in. By there being shadows, it creates mystery for the audience and creates questions an enigma to the audience as to why there is shadows, maybe there is more than one person, or antagonist that isn't known about. Another convention used in this opening thriller sequence was iconography, there was a sense that weapons are relevant or will be relevant in this film because there is a number of potential weapons seen throughout the sequence such as a needle and knives. This is conventional to the thriller genre because there is always a weapon used to attract the audiences attention. The use of weapons helps the audience to build a relationship with the character in this case most likely to be the antagonist, we can build a relationship with them because weapons make the audience realise that he is probably going to kill someone in the rest of the film and so already the audience are feeling sorry for the victims even though we haven't met them yet.
There was a varied use of colour used within the credits of the opening sequence to Se7ven not just the fonts and credits styles but within the back grounds to give the audience an overall view and sense of the film and helps them to understand what genre the film is. Colours for the font of the credits were white, and the colour white is conventional to a thriller film because it can represent death but also mystery. Within the opening credits there was only one character and only what he was doing was seen and so the colour white really helped within this to create the mystery to the audience as to who this charter is and what their motives are, this helps to draw the audiences attention and keep them hooked to the rest of the film from the enigma that the font in the opening credits has helped to displace. The font itself looks to the audience like it was written by someone and so that makes the audience why it was written by someone, generating enigma
Credits for our Opening Sequence
My group members and I, we separately created our own credits with the fonts, texts and colours that we think would be good and then we have looked at then we will look at them together in order to see who's is the best and if it will fit into our thriller opening sequence.
My Credits idea
My opening credits are conventional because the font is creepy looking which also reflects the thriller genre and helps the audience to get an understanding of the type of film that we are trying to portray to them. The text colour that she has used was a good idea because it is the colour white and this reflects the thriller genre because there is mystery created to the audience and a large sense of enigma which is conventional to the thriller films and the thriller genre. To improve I think that I need to as another colour to make it more conventional and more interesting to the audience to help them get hooked.
Some strengths of Chloe's design is that it has the bold letters in capitals of the title and so this is important because it is conventuals and reflects the thriller genre. Another strength is that it is the colour white the text which represents to the audience mystery and wonder and leaves a lot of questions open to the rest of the film. A weakness and something to improve on is the way that these credits of mine fade into the screen as they are boring and would be to the audience and doesn't reflect very much the thriller genre.
Conclusion
In conclusion we have decided as a group to work on my opening credits because they were the most conventional and we decided that they would fit well into our opening sequence and be conventional. We have considered what our opening credits will include and they include the directors name, which inevitably is the most important to a thriller opening sequence and also then there would be the main cast and characters in order of appearance in our opening sequence. We will then include other credits such as hair and make up as well as music and other key people who deserve credit within our thriller film opening sequence. The most important thing for us to work on as a group is the title credit because it is important for the audience to see this as they need to know what the film is called. The title most importantly needs to reflect the genre of the film to the audience so that it is made clear what they are looking and watching, in this case the thriller genre.
